“When I first met Karl, he told me that fashion didn’t belong in a museum.” So began Andrew Bolton’s remarks during the press preview for “Karl Lagerfeld: A Line of Beauty,” the new show at the Costume Institute at The Metropolitan Museum of Art opening on Friday, May 5. “He never changed his opinion,” the head curator at the Costume Institute continued, “but he also never declined any of our requests to include his work in our many exhibitions.” Such contradictions are emblematic of the late designer, whose six-decade career at some of fashion’s most iconic houses is the subject of the exhibition.
Bolton—who was joined by Max Hollein, the director of The Metropolitan Museum of Art, and Roger Lynch, CEO at Condé Nast—was keen to point out that the show is not a retrospective. “We didn’t want to emphasize Karl the man, who has long been the subject of breathless mythologizing, largely the result of his own self-invention,” he explained. The curator and his team have divided Lagerfeld’s oeuvre by thematic conceptual expressions, which follow the lines of the exhibition designed by the architect Tadao Ando. “The serpentine line signified his historicist, romantic, and decorative impulses, and the straight line denoted his modernist, classicist, and minimalist tendencies,” Bolton added.